All Claude Lorrain Oil Paintings
       Prev  12  13  14  15  16  17  18  19  20  21   Next
  Prev Artist       Next Artist     


Claude Lorrain David Slaying Goliath (mk17) oil painting


David Slaying Goliath (mk17)
Painting ID::  22205 		Artist: Claude Lorrain
Painting: David Slaying Goliath (mk17)
Introduction: 1661 Pen drawing and wash Ecole nationale superieure des Beaux-Arts,Paris 12.6 x 9.8 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain The Journey to Emmaus (mk17) oil painting


The Journey to Emmaus (mk17)
Painting ID::  22206 		Artist: Claude Lorrain
Painting: The Journey to Emmaus (mk17)
Introduction: 1660 Chalk drawing and ink wash,heightened with white British Museum,London 18.7 x 29.2 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Concordia (mk17) oil painting


Concordia (mk17)
Painting ID::  22207 		Artist: Claude Lorrain
Painting: Concordia (mk17)
Introduction: Pen drawing and wash.Kupferstichkabinett,Staatliche Museen,Berlin.13.4 x 17.5 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Homage to Ceres (mk17) oil painting


Homage to Ceres (mk17)
Painting ID::  22208 		Artist: Claude Lorrain
Painting: Homage to Ceres (mk17)
Introduction: 1663 Pen drawing and wash,heightened with white Private collection,New York 15 x 20.8 cm
   
   
     

 

 

 
 

 

 

 
Claude Lorrain Landscape with Tobias and the Angel (mk17) oil painting


Landscape with Tobias and the Angel (mk17)
Painting ID::  22209 		Artist: Claude Lorrain
Painting: Landscape with Tobias and the Angel (mk17)
Introduction: 1663 Pen drawing and ink wash on chalk underdrawing.Staatliche Graphische Sammlung,Munich 24.7 x 34.1 cm
   
   
     

 

 

 
 

 

 

 
       Prev  12  13  14  15  16  17  18  19  20  21   Next
Prev Artist       Next Artist     
     Check All Claude Lorrain's Paintings Here!
     French 1600-1682 Claude Lorrain Galleries In Rome, not until the mid-17th century were landscapes deemed fit for serious painting. Northern Europeans, such as the Germans Elsheimer and Brill, had made such views pre-eminent in some of their paintings (as well as Da Vinci in his private drawings or Baldassarre Peruzzi in his decorative frescoes of vedute); but not until Annibale Carracci and his pupil Domenichino do we see landscape become the focus of a canvas by a major Italian artist. Even with the latter two, as with Lorrain, the stated themes of the paintings were mythic or religious. Landscape as a subject was distinctly unclassical and secular. The former quality was not consonant with Renaissance art, which boasted its rivalry with the work of the ancients. The second quality had less public patronage in Counter-Reformation Rome, which prized subjects worthy of "high painting," typically religious or mythic scenes. Pure landscape, like pure still-life or genre painting, reflected an aesthetic viewpoint regarded as lacking in moral seriousness. Rome, the theological and philosophical center of 17th century Italian art, was not quite ready for such a break with tradition. In this matter of the importance of landscape, Lorrain was prescient. Living in a pre-Romantic era, he did not depict those uninhabited panoramas that were to be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral world of fields and valleys not distant from castles and towns. If the ocean horizon is represented, it is from the setting of a busy port. Perhaps to feed the public need for paintings with noble themes, his pictures include demigods, heroes and saints, even though his abundant drawings and sketchbooks prove that he was more interested in scenography. Lorrain was described as kind to his pupils and hard-working; keenly observant, but an unlettered man until his death. The painter Joachim von Sandrart is an authority for Claude's life (Academia Artis Pictoriae, 1683); Baldinucci, who obtained information from some of Claude's immediate survivors, relates various incidents to a different effect (Notizie dei professoni del disegno). John Constable described Claude Lorrain as "the most perfect landscape painter the world ever saw", and declared that in Claude??s landscape "all is lovely ?C all amiable ?C all is amenity and repose; the calm sunshine of the heart" . Related Artists to Claude Lorrain : | Friedrich August von Kaulabch | Cosme Tura | Franz Kops | Pierre-Auguste Cot | BELLEGAMBE, Jean |

 

 

 
CONTACT US
 Contact us!